C-U Blogfidential

In this edition of “The Double Life of a Cinéaste,” author Tyler Tharpe rejoices as he discovers first-run 35mm prints are still available despite the threat of digital conversion perpetuated by the exhibition industry.

In this edition of “The Double Life of a Cinéaste,” author Tyler Tharpe finally takes a stand by electing to produce his next feature film, PHANTOM COMPANION, on 16mm instead of digital.

In this edition of “The Double Life of a Cinéaste,” author Tyler Tharpe puts up his dukes to block the digital double sucker punch being thrust onto independents by both the motion picture exhibition and production industries.

In this edition of “The Double Life of a Cinéaste,” author Tyler Tharpe wonders if vibrant digital bits and rumored economic savings will unceremoniously steal him away from analog celluloid as his filmmaking medium of choice.

In this edition of “The Double Life of a Cinéaste,” author Tyler Tharpe expresses wonderment at the lack of respect horror movie classics seem to receive in his market, while bemoaning technological “advances” in his line of work.

In this edition of “The Double Life of a Cinéaste,” author Tyler Tharpe scrutinizes those unfortunate moments film festivals were not kind to his motion pictures or very person.

In this edition of “The Double Life of a Cinéaste,” author Tyler Tharpe ponders the apparent film industry need to manufacture movies that work overtime saying what they really mean.

In the premiere of C-U Blogfidential’s new column, “The Double Life of a Cinéaste,” author Tyler Tharpe explains why he moved to Hollywood and back in the pursuit of making his own movies.